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R.O.D.S. is not just a studio—it is a landscape of ideas sculpted into form.
Here, design drifts into art,
and every creation is born from a dialogue between imagination and material.
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Handmade. Limited. Human.
Each piece begins in the artist’s hands—not in machines, not in haste.
The process is slow, intentional, and deeply tactile. Imperfections are celebrated, because they are alive.
This is how objects become rare, and why they feel like they’ve always existed,
waiting for someone to find them.
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From the Monumental to the Intimate
Our work moves between large-scale sculptures and functional art pieces,
lamps, objects, and rare editions that blur boundaries.
Every design carries the same DNA: surreal elegance, bold form, and a whisper of dream logic.
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For Those Who Collect Experiences
We create for private collectors, design-focused spaces, and brands who share our obsession
with meaning. Each collaboration is as singular as the objects themselves.
Because in this studio, nothing is mass-produced.
Everything is made to matter.
A studio where design bends toward the
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SURREAL
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Surrealist D´Elephant ​
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I created the D´Elephant sculptures as if shaping fragments of a dream –
forms suspended between the familiar and the unexplored.
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Each piece begins in my hands,
born from touch, instinct, and time.
No machines. No shortcuts.
Only the rhythm of heart and craft.
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The editions are few:
deliberately rare,
because the mystery fades when something becomes infinite..
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Every sculpture carries intention,
and the permanence of something that is born
to last beyond the moment.
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Surrealism, for me, is not decoration; it is a state of mind... where form
begins to question itself, and objects hold secrets.
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These pieces are meant to be lived with.
Not as objects to fill a space,
but as presences that respond to you –
your gaze, your light, your silence.
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Through them, I invite you into my world –
one where art becomes dialogue and each sculpture
awakens a hidden part of the subconscious.
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The Alchemy of Place and Imagination
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My artistic journey began in Stockholm and soon carried me to Barcelona,
a city where façades ripple like liquid dreams,
where light bends against mosaic skin,
and silence hums with strange possibilities.
There, I studied interior design at Instituto Europeo di design,
but it was the city itself – its bold shapes and impossible curves
that became my first muse.
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From that moment, design and art became my language.
As I moved through the world, I gravitated toward the sculptural.
To the silent eloquence of form,
the tension between weight and lightness.
I gathered techniques like fragments of constellations,
but more than that, I cultivated presence..
a mindfulness that seeped into my process,
turning creation into something instinctive, almost ritual.
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Now, with D´Elephant, I open a new door.
It has been a long and transformative journey to bring the artwork to life.
It began with a desire to give shape to a “force” inside me,
to transform it into a tangible form through my hands.
This emotional presence, perhaps my own “elephant in the room”
revealed itself along the way, quietly insisting it was not a burden,
but a source of strength, a hidden superpower waiting to be seen.
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Behind the Scenes
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Painting the D´Elephants is a meditative process –
a long search for a color that exists first only in my imagination.
For a while I chase shades that I can feel and almost see, but never fully grasp. Sometimes it becomes like an endless journey, one that might seem obsessive or impossible to explain. But for me, it has to be exactly how I have imagined it – the tone, the depth, the way it breathes against the form– no matter how long it takes.
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Each layer of paint is a negotiation between vision and reality.
I mix, rework, begin again – following the memory of a color that feels alive, that carries emotion, that transforms the sculpture further on its journey.
The process is slow, hypnotic, but when the right shade finally appears, it feels like recognition – as if the piece has remembered what it was always meant to become.
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The Symbolism of Stairs
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I use the stair as an architectural metaphor for transformation.
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In surrealist art, stairs often symbolized the subconscious –
a passage between states of being, an ascent into the unknown, or a descent into the self.
My sculptures rest on these thresholds, where structure and form exist in quiet dialogue. Together, they create a surreal moment of balance between materiality and imagination.
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The pendant emerged from a desire to distill my sculptural world into something more intimate – a rare transposition of sculpture into jewelry.
It is the very form of my larger work, translated with precision into a scale meant to rest close to the body.
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